When that time came, the author relied on the influence of her grandmothers to create the mystery novels for which many people know her.įowler’s mother, mother-in-law, and grandmothers lived on farms. But if you had a solid foundation and a decent plot, the characters would become important aspects of your life and they would stay with you for a long time.Įven though she was more comfortable writing short stories, Fowler had every intention of writing a full-length novel at some point. But part of her also realized that novels were far more satisfying than short stories. Short stories were thrilling because they did not require so much dedication. She was certain that the process would become either exhausting or boring. The notion of writing a proper novel was too daunting for her because it meant sticking with the same characters for a very long time. Short character-oriented stories were much easier for the author. Because she was still refining her craft, Earlene Fowler found that she could not tell plot-oriented stories.

She remembers experimenting with short mystery stories but she couldn’t make them work. Most of her projects were character-oriented. At the time, rather than writing full-length novels, she was more interested in creating short stories. They knew that mysteries constituted a large part of the books she read.Īnd yet, the mystery genre was the furthest thing from the author’s mind. When she finally sat down to pen her stories, the people that knew Fowler expected her to write mysteries. She also pursued creative writing at Citrus College (Glendora, California). Besides reading every book on creative writing that she could find in the library, the author also attended numerous writing classes at a number of Southern California Community Colleges. The author started by doing her research. Fowler was 27 years old when she decided that she wanted to write fiction.

Kansas troubles earlene fowler